Surveillance

I have noticed through emails and blog posts the amount of work being done by artists during these unusual times. Congrats to all! I admire those of you who have discovered ways to keep your art world/business going. It is fantastic to feel connected every morning as I tune into my emails  and read about everyone’s creative process. As artists, we need many concentrated hours to create. The last eight months gave my husband and I the opportunity to produce while being isolated at home.

© 2020 Louise Levergneux. The accordion sides of Surveillance being cut.

Last April, as full time RV’ers, Michael and I decided to acquire a reliable place to stay. Our travels where put on hold while Covid dictated our lives. These days, weeks, months gave us the opportunity to write and produce in our incredibly compact space. Finally, cabin fever set in and with the virus still very much around; we required more room. In September we moved our studio spaces into a small, modest home (399 square feet) for our creativity to continue to blossom. 

© 2020 Louise Levergneux. Getting ready to work on Surveillance.

© 2020 Louise Levergneux. Freshly cut pages for Surveillance.

With a major publication completed, I need to concentrate and get the next artists’ book — Surveillance — done. How to get back into this complicated book after so many months since my last review?

A blog post I read back in 2016 by Big Jump Press came to mind, while sitting here in front of all the various parts to assemble for Surveillance. The subject was on how to get organized for completing a project after a long break. The article is a fun read written by Sarah Bryant entitled “Ok, where was I?” and is very impressive.

For months, I kept Surveillance on the forefront of my mind, thinking of better ideas, solutions, materials... even while conceptualizing other ideas. It never dawned on me to put into place Sarah’s method. Once I got absorbed by manhole covers, Surveillance was put aside in safe containers and disappeared from my thoughts. Even though Sarah’s article is a terrific read, it’s a bit late for me.

© 2020 Louise Levergneux. The different parts to put together.

At the moment, the plan of action is to start recalling how I developed the model, folded paper, cut, glued and assembled the book... !!! My brain hurts just thinking about it all as I prepare to get started again.

© 2019 Louise Levergneux. The first page/cover template of Surveillance once the binding is opened.

© 2019 Louise Levergneux. View through the first page/ cover of Surveillance.

In the mean time, if you intend to take a break from a book project for whatever reason, please read Sarah’s post. My suggestion is to plan for the future.

© 2015 Louise Levergneux. I wish you all a great holiday season this month and hope you will be able to celebrate with loved ones.

---

Laser Cutting in Massachusetts

As mentioned in a previous post, I collaborated with FreeFall Laser located in the Berkshires of Western Massachusetts for the cover page of Surveillance—my tunnel book project. 

Sarah Pike of FreeFall Laser was great to work with and efficient as she typically focuses on each specific customer with a personalized service. 

Our initial communication started with a brief consultation by email describing the project from which Sarah asked for samples of the page with printed images on the exact substrate chosen for material testing.

© 2019 Louise Levergneux. Inside my artists’ book Surveillance—a mock-up.

My images for this project were reproduced on Moab Entrada Rag Bright paper. This is a double-sided archival acid and lignin-free, 100% cotton fine art paper. My question was “would this fibrous paper be a problem for the CO2 laser cutter”?

Double sided images need to be precisely registered for the desired effect to be successful. After figuring out the perfect registration, I sent a package with ten double-sided printed copies, hoping no difficulties would arise during the laser-cutting process.

© 2019 Louise Levergneux. Consulting with Sarah Pike for the cover of Surveillance FreeFall Laser in Massachusetts.

When the work for Surveillance was completed, I promptly decided that picking up the work directly from the studio would naturally give me the unique chance to socially meet with Sarah in person. The plan for the first phase of my journey was to visit FreeFall Laser after I crossed back into the US following my two month stay in Canada. 

© 2019 Louise Levergneux. Sarah Pike showing me around FreeFall Laser.

Sarah’s approach combines artistic experimentation with technological experience to create exceptional work for fine artists, designers, conservators, bookbinders, artisans, woodworkers, and museums. It was a tremendous experience to see Sarah’s studio and her state-of-the-art CO2 laser cutter.

© 2019 Louise Levergneux. Sarah’s studio and her state-of-the-art CO2 laser cutter.

I was so excited when I picked up my precision cut covers that we discussed the distinct possibility of laser-cutting the binding for my creative project. I could not fathom cutting the exact holes for the electronics and faux camera another 8 times through binders board. What a life saver!

Visiting FreeFall Laser provided me the opportunity to observe some of Sarah’s own art work—what a treat! A lot of her art work is laser cut marquetry in wood veneer. Sarah also designed a beautiful sample book to demonstrate her CO2 laser cutter capabilities.

© 2019 Louise Levergneux. Sarah’s sample book demonstrating the capabilities of her state-of-the-art CO2 laser cutter.

© 2019 Louise Levergneux. Sarah’s art work using laser cut marquetry in wood veneer.

On my initial contact with Sarah, with due diligence, I wanted to view some samples of artists’ books or bindings created with the help of FreeFall Laser. 

© 2019 Sarah Pike. Laser cutting of the The Radiant Republic by Sarah Bryant at FreeFall Laser.

© 2019 Sarah Pike. Laser cutting of the The Radiant Republic by Sarah Bryant at FreeFall Laser.

© 2019 Sarah Bryant. The Radiant Republic by Sarah Bryant, built entirely out of language found in Plato’s Republic and Le Corbusier’s The Radiant City.

© 2019 Louise Levergneux. Reason Belief Truth by Thomas Parker Williams, binding, French split goat skin, laser-cut binder's boards; edition of 12.

© 2019 Louise Levergneux. Reason Belief Truth by Thomas Parker Williams; laser cut painted with ink and watercolor; letterpress printing (hand-set type, polymer plates) by Mary Agnes Williams; marbled paper.

Wynn Bullock images © 2019 Bullock Family Photography LLC. All rights reserved. Wynn Bullock: Relativity: Wynn Bullock and Albert Einstein, edition of 15; published by 21st Editions; binding by Peter Geraty and Julia Rabin with production assistance by Tim Faner.

Wynn Bullock images © 2019 Bullock Family Photography LLC. All rights reserved. Wynn Bullock: Relativity, 9 bound and 9 loose, platinum estate prints, 1 signed vintage silver print.

I was content to get back to work, after my informative conversation with Sarah. Next phase—prepare the boards by covering them with Canapetta bookcloth, measure all the positions of the holes... so Sarah could make my vision a reality...

New Endeavor

Launching into a new creative endeavor or new lifestyle is often marked by fear, uncertainty, and self-doubt. All these states of being have traversed my mind in the last 4 months as we prepare to hit the road.

Analyzing a new beginning is recognizing that one is ready to embark on a new journey. So, this voyage is fast approaching, and the photo below is what my studio looked like most of the week. I was trying to make sense of the 90 square feet of available living space in our T@B trailer and our Kia Sorento.

© 2017 Louise Levergneux

© 2017 Louise Levergneux, our T@B trailer with all amenities in 90 square feet

I sold books this year, but I'm left with too many copies of each edition created throughout the years. A friend once told me to publish one to three copies only at a time. Another told me that when her artists’ bookshelf fills up she donates or gifts books to make room for newer publications.

I find it difficult to make notes good enough to publish a book at a later date, so I create the whole edition at the same time. This situation creates lots of inventory, nice with a studio, but not good to fit in a trailer for a year.

Sarah Bryant from Big Jump Press, she calls herself a genius and I don’t blame her—she’s correct—she’s excellent at creating notes on her publications giving her the capability to finish an edition later on. You can read Sarah's blog post “Ok, where was I?” published in February 2016—see how she developed a way to finish her project at a later date. Great reading and informative.

© 2016 Sarah Bryant, Sarah's studio

© 2016 Sarah Bryant, Sarah's prep bags of gigs and information

I packed and re-packed all my artists’ books. It’s strange to leave your creations somewhere for so long without access to them for exhibitions or sales.

---

I had to resolve my MacBook Pro problem throughout my packing sessions. My battery is failing, and the issue was never resolved by Simply Mac or Apple. I wish Apple would make batteries that last longer. This is my second experience with a dysfunctional computer battery. My last MacBook Pro battery exploded while I was typing on the keyboard. Literally, it made my computer three times thicker and my hands went flying. What a surprise! This time the battery will die as it will no longer charge even plugged in. How much fun can one take!

Here is what Simply Mac agreed on their Service Summary, but after many back-and-forth phone calls between Simply Mac and Apple, neither could agree on the terms of the problem. On the Simply Mac Service Summary, it was clear that if I waited until September of 2017 the battery would be FREE; Apple does not agree. This situation is difficult when the technology is needed, and the technology and the services are certainly not dependable.

© 2017 Louise Levergneux, Simply Mac's Service Summary I signed to agree on repairs. I squared in red the important parts.

---

The next phase is on my mind. I feel nervous and excited about my new adventure and hope to see you on the road and or visit your studio.

Smaller footprint, bigger ideas!