Preparations!

The week flew by with residency and exhibition preparations. Lots of details to iron out as the days are short and timing is everything. City Shields will be part of the show, but not the focus. The attention will be on the idea behind my work, my obsessions, my collecting and my archiving. City Shields is the most obsessive and most popular project of my career, so it is a major component of the exhibition.

Time was spent choosing between all my published books—the ones that best describe my artist statement. Equinox was the first to make the list, but since I found a new home for the books at the beginning of the year, the books won't be present at the gallery—with imagination you might see nine years of my life. Other books in line are: A Day Filled with Onomatopoeias, Traverse, Parade, Perception, and Ambivalence.

© 2017 Louise Levergneux, spread of Ambivalence artists' book

© 2017 Louise Levergneux, spread of Ambivalence artists' book

WhiteWall Photo Lab will print large prints of certain pages of books, these will adorn the walls. I’m anxious about the proofing—there goes that obsession again! Kristen Cooper the Program Director at Ming Studios is overseeing the printing in Berlin, Germany, where she lives and works. Cooper is a conceptual artist, her work is exhibited internationally, Kristen must know about the printing process. I hope the surprise will be good.

© 2017 Louise Levergneux, spread of A Day Filled with Onomatopoeias artists' book

Set-up of pedestals begins next week—a good start to figuring out the gallery space. I am contemplating on the look of the show, the books, the prints... Stay tuned, here I go!

New Year, New beginnings!

Celebrating one year of blogging! It’s been a pleasure getting to know all of you through my posts. Thank you for the support.

Major changes are in the air for my 1/2 Measure Studio this year. The reasoning behind my books is on my mind these days. I’m questioning the trajectory of my work. Changing paths is a big moment and one I want to see bring forward movement to my work. 

For now, confusion! Why do this? Why do that? Why be an artist? 

Do you have questions that haunt you as an artist? 

In the last month, I have been working on a new artists’ book—a sequel to my book entitled Beside Me. Beside Me was a wonderful book on teams published in 2005.

How do your books come to life?

Mine usually start with a trip, a thought, an experience... This one started with an emotion.

Completely filled with emotion, my mind started to think of how to create this book and in what format. Thoughts raced through my mind.

Think, re-think, plan, images, dream, re-think, write, view it in my mind’s eye, dream of it, camera in hand, photograph, template, re-think, write, play in Photoshop, design pages, dream, cover? Binding! Think! Choose fonts, discussion, re-think, compose photographs, relate to book Beside Me, write, edit, paper size, size of book, re-design, Edit...

Ideas have gelled, cover and binding chosen. The real work starts and frustrations follow!

I had difficulties in ordering paper with the proper grain direction needed for printing the pages of my book. Was everyone in the companies I called asleep at the switch? After many phone calls, I’m hoping to receive the correct paper. 

Particular companies understand book publishing and grain directions. One of those companies is Moab papers by Legion. They are always happy to talk about the needs of their customers.

What type of difficulties do you run into with paper? Size, grain direction, thickness, durability...

This waiting period is giving me time to conceive the cover and how the new book will flow with the first book Beside Me.

© 2016 Louise Levergneux, cover of Standing Alone

I continue working on my files of manhole covers to create eleven new volumes of different cities across the Canadian provinces.

©2016 Louise Levergneux, Saskatchewan manhole covers in Bridge ready to action in Photoshop

© 2013 Louise Leverghneux, Hotel Aloft, Minneapolis, MN, April 30, 2013

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I hope happiness and prosperity comes your way in 2017!

Records, Databases and Obsessions!

Still searching for a handmade gift for Christmas?

These decorative boxes are a great gift idea for keeping a thumb drive full of memories. They are also a great gift for anyone who loves to store small items, special trinkets, keepsakes, or jewelry.

To buy a handmade box, visit my website or email me at louiselevergneux(at)gmail(dot)com

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The closer it gets to the New Year the more I examine simplicity, minimalism, and time spent on different activities as an artist.

How do artists keep records of contacts, invoices, detailed information on artists’ books/artwork and inventory? 

FileMaker Pro has been my software of choice for years and years. I store important information in four files that cross over depending on the information needed for an invoice or inventory. 

© 2016 Louise Levergneux, layout of my contact database

The future has come. I will need to upgrade my computer’s OS soon or buy a new Mac Book Pro. In the long run, some software will become useless unless I upgrade. A new system and new upgrades mean more expenses. Cash is low!

Keeping in mind; I don’t want to spend too much time learning new software which defeats the purpose, ARRRGH! 

After emailing the Book Arts ListServ to see what other artists are doing, I recognized the cost for the upgrade would be less when considering the time spent exporting or recreating. It might be better to continue working with FileMaker Pro by simplifying my layouts and the number of fields. 

© 2016 Louise Levergneux, metadata of my book Finding Home. Each book created has a record with this information.

A huge amount of data requires many hours to recreate a database. It is unthinkable to lose any details on my artists’ books even with a back-up system like Time Machine”. This data was compiled following the digital repository of the Artists' Books Online in which I participated. 

ABsOnline is an online repository project of facsimiles, metadata, and criticism founded in 2004 under the direction of Johanna Drucker hosted at the University of Virginia.

Artists' Books Online was designed to promote critical engagement with artists’ books and to provide access to a digital repository of metadata, scans, and commentary. The project serves several communities: artists, scholars and critics, librarians and curators, and interested readers.

After a visit to the Apple store and all the comments and suggestions received. I’m going towards the Apple’s suggestion of a split hard drive/dual operating system on a new computer. This decision is, of course, depending on a grant for new equipment. I find having two computers is not a good fit for me and I’m very concerned with security on my old OS!

© 2016 Louise Levergneux, a sample record of the information I keep on my artists' books, this record is of copy 5 of Traverse.

• What software do you use to keep track of your artists’ books?

• How do you keep your inventory in order?

• Do you find keeping a database of contacts a never ending job?

• Do you have an assistant helping you with this administrative activity? Nice!

• How do you cope with time spent on databases?

• Does this side of business keep you in control, do you need the control?

• Why do we spend so much time tracking?

I know inventory is important, send me your thoughts on the subject. 

Finally, 

• Is inventory and tracking an obsessive action?

• Once an edition is sold, do you still keep track of all the metadata? 

• Should a published book live its own life once out of the studio?

• Should we even be tracking each copy and where it is sold?

• How do you continue the business side of your creations and still keep your sanity as an artist?

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It’s time for me to get moving on my project City Shields, February will come soon enough.

© 2012 Louise Levergneux, manhole cover documented at Church St & 4th Ave N in Nashville, Tenessee, on September 9, 2012

Have a Merry Christmas and an auspicious new year.

Back Home

I’m back!

Winter is just around the corner—I know, I know Ottawa, Ontario, Canada has it worse—I have the impression that Fall is colder than last year in Idaho. When I left Ottawa, the leaves were in full colour and the rain kept on coming. Here in Idaho the colours of the leaves are still stunning and has extended my Autumn experience.

I spent time with my dear friend Vera Greenwood, a fantastic writer who captivates your interest. Vera has successful exhibition installations under her belt.

Vera’s art practice is subjectively personal with an emphasis on storytelling, while observing the world. Her work is highly autobiographical, revealing a keen interest in recordkeeping and investigative research. Because her installations have always incorporated text—sometimes large amounts—bookworks have become a logical extension of Vera’s art practice. 

© 2011 Vera Greenwood, cover of her book "The Whole Enchilada, My Madcap Mexican Adventure," a terrific read

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I visited the small studio of Mary Kritz, an Ottawa based artist who works with paper products to construct hand bound books and boxes. Inspired by nature, architecture, and art, Mary creates personal moments with rules and omissions, exploration and play.

© 2016 Mary Kritz

Her book arts are notable for their unique finishes and tactile nature. This is of great importance and bears witness to well-developed artistic craftsmanship. Mary focuses on learned techniques and a wide range of materials to create her books.

© 2016 Mary Kritz

© 2016 Mary Kritz

© 2016 Mary Kritz

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I vacationed at my brother’s cottage with our new T@B trailer. I was eager to visit more studios but playing Bocce Ball and drinking wine enticed me to stay in the country with no worries to disturb happy hour.

I walked the streets of Ottawa and photographed new manhole covers. I discovered new cover designs while delivering 14 new volumes of City Shields to my contact at the National Gallery of Canada library. Here are my new volumes ready for cataloguing and join the other 52 volumes collected by the library.

© 2016 Louise Levergneux, new volumes of City Shields

In 2008, Gatineau launched a manhole cover design contest called Reg'art d'égout (artful covers) that involved designing two manhole cover models for the city's streets. These two manhole covers are part of Vol 3: No 10 Gatineau, Québec (secteur Gatineau) volume of City Shields published in 2009. To purchase this volume, please visit my website.

It is difficult to choose a favourite they are both a delight to view. These decorative manhole covers adorn most streets of Gatineau.

© 2016 Louise Levergneux, Une vie, Une ville (A life, A city)

© 2016 Louise Levergneux

Topaz, my studio resident dog needs a walk, I need to finish the laundry, carry out maintenance on our T@B, and make supper—the only imaginative activity today except for this blog post.

Talk to you next week and in the meantime check out the manhole covers of your city...

'jamais deux sans trois'

I’ve been busy getting my family prepared for our annual trip across the country to my home town of Gatineau, Québec, Canada. We are leaving next week and for the first time in eight years, we will travel the Trans-Canada Highway from Alberta to Québec.

This is the snail way across the country. The slow driving gives me the opportunity to photograph manhole covers along my journey. With the intention of publishing an artists’ book of Canadian anecdotes, I will collect photographs that catch my eye along this 10-day trip.

In between preparations, I’m trying to finish phase seven and eight of City Shields by printing and cutting inserts, collating and packaging.

© 2016 Louise Levergneux, front and back of inserts ready to cut

© 2016 Louise Levergneux, phase seven, cutting the inserts

©2016 Louise Levergneux, probably the last 10 pack of Iomega Zip disks jewel cases in the world!

If any of you know where I can purchase more of these Iomega Zip Disks Jewel Cases, please email me. They have been discontinued by the manufacturer.

© 2016 Louise Levergneux, fresh off the press Vol US 26 : No 1 Dakota

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Last week, I posed the question “Has the manhole cover become a point of interest for other artists?”

I received a link to Raubdruckerin Printers’ website. They print t-shirts, hoodies, tote and gym bags inspired by banal urban street manhole covers. People who buy the garments and bags become themselves a part of their project. So, the project is a refinement of the everyday culture as well as a permanent consciousness-changing connection with our surroundings. 

The video below demonstrates Raubdruckerin using a manhole cover at the Centre Pompidou in Paris to print a t-shirt. 

Raubdruckerin continue their journey to Berlin. The t-shirt prints are taken directly from a manhole cover using water based ink without solvent, flexibilizer, PVC or heavy metals. 

What a fabulous idea! What I found even more interesting, believing in the French expression—'jamais deux sans trois' ("never twice without a third [time]"), is that I received not two but three emails with the same link. Three of my regular blog readers are thinking alike! Peggy Seeger and Cathryn Miller must hang out in the same places on the web. Betty Mallorca, a friend and painter based in Nampa, Idaho, seem to frequent the same circles as Peggy and Cathryn since she sent me the same link to this project.

How should I respond to this phenomenon? The never twice without a third is a sign, I’m sure! Do I contact this group based in Berlin? Do I start a dialogue of my project City Shields with Raubdruckerin? Do any of you know the group? 

Back to packing!

The Tiny Book Show

This week I was preoccupied with cutting and collating manhole covers.

© 2016 Louise Levergneux

My garbage bin is overflowing with paper. Sheet after sheet filled with negative space. It piles up by the hour.

© 2016 Louise Levergneux

© 2016 Louise Levergneux

© 2016 Louise Levergneux, one of my favorite covers today

Did you ever foresee an action in advance? While carrying many die-cut manhole covers from a drawer of my printer cabinet to my work table, I dropped the whole stack. I have five steps to go from my printer table to the other side of my half measure studio!! It took hours and hours to collate the manholes to fit each volume. My eyes crossed a few times while trying to recover the sequnces of the manhole covers; but now, the manhole covers are collated by each volume. My next phase in publishing City Shields is to print 28 double sided inserts.

© 2016 Louise Levergneux, manhole covers on the work table ready to collate, AGAIN!

© 2016 Louise Levergneux, manhole covers finally collated

In 2012 when I was creating my flip book project Outside the studio, I dropped sheets of unnumbered pages of my first flip book. It never dawned on me to number the pages, it appeared simple enough to collate. Each page (frame) of a flip book portrays a fraction of a second. This means each image is very, very, very similar! This mistake taught me to number my pages. With City Shields there’s no way to number the covers. I have two sheets of templates to print for each volume. The second template has a variety of covers. I prefer not to waste paper, it’s too expensive! The lesson here is not to drop the sheets, butterfingers!!

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I took a break from these wonderful die-cut photographs that brought me back to my travels. So, I drove to Nampa and visited The Tiny Book Show hosted by the Nampa Public Library. 

© 2016 Louise Levergneux, Amy Tingle at the Nampa Public Library getting ready for the workshop

© 2016 Louise Levergneux, The Tiny Book Show, awesome!

© 2016 Louise Levergneux, I enjoyed reading this wonderful blue book "Cooper" by Harold Wilson

© 2016 Louise Levergneux, This is a Goldendoodle story!

Amy Tingle and Maya Stein are a mobile creativity company based in northern New Jersey. They travel in a vintage caravan, named MAUDE (Mobile Art Unit Designed for Everyone). The caravan allows them to deliver unique experiences and inspire communities everywhere. 

© 2016 Louise Levergneux, MAUDE

Amy Nack, a local printmaker who goes under the imprint Wingtip Press was on hand to help with the tiny book-making workshop. Everyone is invited to The Tiny Book Show. Amy and Maya stop at select locations around the country to display tiny books made by artists and writers from around the world. Check out their next venue here.

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Back at my studio, I cut binders boards for different projects. The days are going by fast and my summer time back home in Canada is approaching.

For entertainment, I watch Garip Ay create Vincent Van Gogh’s Starry night and Self-portrait with ink marbling animation. Enjoy!

Manhoru

Back to work, I realise my studio is a mess. I’m in full production of City Shields.

© 2016 Louise Levergneux

© 2016 Louise Levergneux

© 2016 Louise Levergneux

My curiosity grows with the pile of manhole covers. Has the manhole cover become a point of interest for other artists? I continue my search on the internet after communicating with Lucinda Ziesing featured on my blog post dated June 26th. Artists and graphic designers all over the world have noticed and are inspired by these works of urban design on our city streets.

My latest find is a wonderful fluoro colour publication entitled Overlooked, the 45th publication produced by design studio Pentagram in the UK. This colourful book celebrates the “gatekeepers” to the subterranean world beneath London’s streets.

© 2016 Pentagram Paper

After many hours of searching, I discover Remo Camerota, a dedicated manhole cover photographer. Camerota’s new book, Drainspotting, is dedicated to the his fans or the ‘manhoru’ maniacs. Manhoru is the Japanese word for ‘manhole’. A trip to Japan is worthwhile just to photograph the brightly painted manhoru covers.

Remo Camerota, Cherry Blossoms by Tokyo Five

Going down the rabbit hole, I come across Russell Muits, a graphic designer who embarked on a coast-to-coast odyssey. Muits travelled from Camden, New Jersey, to Seattle, Washington, and back. Russell searched out unusual manhole covers and, through hands-on application of ink and canvas, transformed the covers into prints. We share the same goal of finding every interesting manhole cover across the US. Of course my goal is to add the cities of the Canadian provinces.

Aaron Windhorst, Philadelphia Daily News/TNS

How can I finance City Shields and the travel to attain my goal? Any ideas?

City Shields, Phase Four

Sometime during the week I lost a day. Today is Sunday, and I still have not finished the tasks at hand for City Shields.

I’m entering my detail work phase before printing. I find it necessary to pay attention to details—titles and text—to avoid mistakes. Je dois mettre les points sur les I et les barres sur les t, (I’m required to dot my i’s and cross my t’s).

Since I’m doing the volumes as an assembly line, it's a long process. Did I say boring, noooooo! Not at all, my obsessive-compulsive disorder is in full force and I don’t mind repetitive tasks. According to my key job list, I’m at phase 4, this is where I verify every individual elements of my templates.

© 2016 Louise Levergneux, transcribing addresses and intersections from the original file names of my photos in Bridge to a template in InDesign.

Details, details... I felt I needed to clear my mind to better focus. I took two days to clean my studio or should I say purge it of unwanted documentation—paper, paper... Who needs to continue carrying that stuff around! Last year I decided going digital was best, but the job never got finished with the move and other artists’ books in progress.

By scanning and copying the original paperwork to DVD. I created a stack of paper, this stack will be very useful for glueing books and boxes. Binders know what I mean. 

© 2016 Louise Levergneux

I took an hour to review my inventory of Aspen, Inkpress and Generations G-Chrome papers for the completion of two copies of 18 volumes, maybe more. The list grows as I work! A copy for me which will be part of the installation. The second copy is for the National Gallery of Canada Library and Archives / Bibliothèque et Archives du Musée des beaux-arts du Canada. Peter Trepanier my contact, an avid collector of City Shields will be purchasing a copy of these volumes for the library. I will need to communicate with the Canadian Centre for Architecture in Montréal, Québec, in case they want to keep their collection of City Shields complete.

I resume my detail work... To assure myself that the metadata transcribed is correct, I take the time to check the addresses and intersections from my journal in Google Maps. Street signs don't always indicate the cardinal directions, I love details!

© Google Maps, according to my journal we should have been on 2nd Ave N, it was necessary to determine which cardinal direction was the proper one for the location of a manhole cover

© 2016 Louise Levergneux, detail of my journal with corrections indicated with red circles

This task brings me back to the location in question. The city, the heat of the day, the rain, an elaborate design, a city named manhole cover, the surprise, the hooray! moment even the make my day moment... 

After googling an intersection, I had to check for the location of an exact manhole cover I had photographed in Milwaukee, Wisconsin. The address information in my journal was incomplete, yet again, those cardinal directions! I needed to find the exact location of this manhole cover. Was it a North or South street, East or West avenue?

© Google Maps, on September 6th, 2013 at 7:36am I was standing at the corner of E St Paul Ave and N Broadway in Milwaukee, Wisconsin

I found the manhole cover as I browsed in street view in Google Maps. It's circled below in red. 

© Google Maps

© Google Maps

As I navigated my mouse around and around the intersection in Google Maps, I noticed a new manhole cover. How could I have missed this cover while standing at the corner of N Broadway and E St Paul Ave? I searched on the internet till I found the manhole cover designed by Melanie Ariens, an environmental artist in 2015.

© Google Maps, the new manhole cover references a cleaner environment

Another visit to Milwaukee is in order!

I spent last Wednesday afternoon driving around Nampa, Idaho, eager to find an exciting manhole cover. I found a couple with the name of the city. That’s good, but I didn’t go wahoo!

While I continue my hunt, I receive manhole cover photos from different people interested in my project. Cathryn Miller sent these manhole covers taken in White Rock, BC.

© 2016 Cathryn Miller

Cathryn made use of the manhole covers in her book no skateboarding. This artists’ book is a book, a puzzle, a box, a photographic essay regarding surfaces. Text takes second place to visual images in no skateboarding as with City Shields. The visual takes precedent in the context of both artists’ books.

© 2005, Cathryn Miller, no skateboarding

© 2005, Cathryn Miller, no skateboarding

Many people are interested in manhole covers and lots of articles have been written on these items. My searches bring me to the conclusion that the manhole cover has made a name for itself by getting cities and artists working together.

I think I’m procrastinating the printing phase! Phase 5. I have to get past the impatience and get it done! Make it so number one!!