Flip Books and 3D Printing

I found one thing I miss from living in Utah, the Sundance Film Festival in Park City. I took this photo in 2014 on our annual–go see what it’s all about—visit. We had the opportunity to say hello to Sam Shepard and to Gilles Marini.

© 2014 Louise Levergneux, Sundance Film Festival

© 2014 Louise Levergneux, Sundance Film Festival

Getting back to the work at hand. It’s difficult to keep the processes and steps straight with three projects on the go, no four! 

I’m waiting for an order of paper to finish the last two copies of my book entitled Conversation. After two months, finishing these copies with my notes might be a challenge!! 

Meanwhile, I’m tinkering with Tinkercad for my second book entitled Finding Home. An emotional project that tackles my experience of living in Idaho while still rooted in Canada... I will discuss the many changes and end product later.

I am learning the ins and outs of 3D printing and enjoying the sculptural facet of the process. A third print is happening today and will take nine and a half hours to print over 497 layers. Fascinating!

I thought it might be fun to sit and take photos as my object was printing till I saw this timelapse video of a Ultimaker 2 printing a deer. Have you ever heard the expression “it’s like watching paint dry”

The binding and slipcase for my artists’ book Xtraction is also in the queue to be 3D printed, hurray!

While we wait for paper and prints, lets look at the steps it took to create the flip book for Xtraction. The idea grew from this X-ray. In this instance I used a mix of stills and video taken with my Sony D-SLR.

© 2013 Louise Levergneux

© 2013 Louise Levergneux

 1. First, the stills are manipulated in Photoshop and the video manipulated in iMovie

2. Next, I import the frames from the video into layers in Photoshop

3. Once, the layers are all chosen and sequenced, they are resized into another Photoshop template, I number all the pages—yes, number, it makes it easier to sort. Have you ever had 120 unnumbered pages fall to the floor and not knowing the sequence? I have! FUN! FUN! FUN!

4. All the adjustments in the next step is great fun for people with OCD, as all the layers have different opacity between bottom and top layers for each group of images. The flip book has 120 pages counting the colophon

5. Shown are 13" x 19" sheets of pages in Bridge ready for print

© 2014 Louise Levergneux, Xtraction

6. My printer co-operated, thank God! This does not always happen, everyone knows that! I start the cutting phase after the sheets rest for 24 hours. This time relaxes the paper and removes any curling from wet ink. Dried ink allows the paper to be handled without concerns 

© 2014 Louise Levergneux, Xtraction

© 2014 Louise Levergneux, Xtraction

7. Each page goes through a five steps cutting process, this ensures perfect placement of image on each page. The time taken in properly cutting each page properly gives a smooth action when flipping pages. I know these steps by heart after cutting pages for 156 flip books in the last 3 years. First cut is done by dividing the sheet in half.

© 2014 Louise Levergneux, Xtraction

© 2014 Louise Levergneux, Xtraction

© 2014 Louise Levergneux, Xtraction

© 2014 Louise Levergneux, Xtraction

The second cut is done by following the cutting lines for the top of each page.

© 2014 Louise Levergneux, Xtraction

Making sure that all the pages are trimmed at the exact same place on the right edge is the third cut.

© 2014 Louise Levergneux, Xtraction

The fourth step is to properly cut the bottom of each page by using a straight edge that will not move.

© 2014 Louise Levergneux, Xtraction

© 2014 Louise Levergneux, Xtraction

The last and fifth cut is the left side with a pre-determined length for the flip book.

© 2014 Louise Levergneux, Xtraction

I sort and stack, then punch holes through the pages to receive screw posts

© 2014 Louise Levergneux, Xtraction

© 2014 Louise Levergneux, Xtraction

A small binding with cloth over boards is usually cut and assembled to finish the book. Xtraction has a 3D printed binding so this step is omitted

Voilà, one finished flip book. I will have photos of the completed project next week.

The fourth project I mentioned above is the image manipulation, printing and cutting of the last volumes of City Shields. Forever!

© 2011 Louise Levergneux, City Shields

This will take more than a week, need to get going.


Paper and Folds

The snow is gone and the brown colours are back in Avimor. 

© 2015 Louise Levergneux, Avimor warming up.

Time is flying by fast and since the start of January, I am knee deep in Tinkercad, typefaces, colours and design for my next artists' book. I thought it best to take a breath and visit the BAM, no, not the Brooklyn Academy of Music but the Boise Art Museum. 

Incredible how acronyms have become part of our language. When I moved to Boise, the locals asked if I had visited the BAM—what’s a BAM? For newcomers trying to figure out the lay of the land these abbreviations said à la queueleuleu, remind me of a song.

BAM BAM ROM MoMA,

CoCA GAM IMA,

MAMbo MASS MoCA,

MIA MICA MOCA,

SAM YAM OCMA

Everyone has danced à la queueleuleu, if not this video explains the term

Oops, I’m digressing!

Last Saturday, at the BAM, I saw the exhibition: Paper: the Infinite Possibilities of Origami. This exhibition explores the history of folding and origami as fine art. The pieces in the show were created by 45 master folders from around the world and showcased the power and potential of contemporary origami. Paper is endless creativity in these artists’ hands. I met Alexandra Monjar a friendly and dedicated docent able to give us lots of information on the exhibited works.

The koi by MichaeI G Lafosse caught my eye. The koi were delicate yet strong. Back at home I could not wait to explore more origami work on the Internet, I’m intrigued.

The next video is an introduction to Sipho’s project White Elephant–a life-size 3 metre high origami elephant. 

If you have time the 6 part video on White Elephant is worth it even though it takes nearly an hour to watch—all of them! I'm sure you can speed view at times!

WHITE ELEPHANT Part 1 (8:56 min)

WHITE ELEPHANT Part 2 (13:26 min)

 

WHITE ELEPHANT Part 3 (4 min)

WHITE ELEPHANT Part 4 (13:48 min)

WHITE ELEPHANT Part 5 (10:03 min)

WHITE ELEPHANT Part 6 Final (9 min)

 

These videos brought to mind other artists who create with paper. A good friend, mentor and artist, Francois X. Chamberland, gifted me the bible seen below at the end of the eighties. I still regard it as one of my favourite pieces in our home. I tried my hand at folding and never had the patience to continue.

© 1989 François X. Chamberland

© 1989 François X. Chamberland

Canadian artist Cathryn Miller’s altered books are sometimes filled with Froebel stars–a form of origami that combines folding with weaving. Cathryn’s love for paper can be seen in her altered book Universe / Starry, Starry Night inviting you to play and dream.

© 2008 Cathryn Miller, Universe / Starry, Starry Night

© 2008 Cathryn Miller, Universe / Starry, Starry Night

In Cathryn’s Universe: Foundation Trilogy, a series of altered books made from the pages of Life Nature Library volume "The Universe" pays homage to Asimov's iconic science fiction trilogy. The patience to fold several hundred stars for a project is amazing!

© 2012 Cathryn Miller, Universe: Foundation Trilogy

© 2012 Cathryn Miller, Universe: Foundation Trilogy

The Froebel stars make another appearance in Universe / A Hitchhiker's Guide.

© 2008 Cathryn Miller, Universe / A Hitchhiker's Guide

© 2008 Cathryn Miller, Universe / A Hitchhiker's Guide

You can help Cathryn’s The Wishing Star Project by leaving a wish.

While you are busy wishing, I’m going back to my thoughts and 3D printing ! !

One Less Camera and 3D Printing

A new week, a new dilemma. This world of technology makes our lives more efficient, they say! I use different technologies to create my artists’ books and at the moment I am trying to survive without one of these.

My camera didn’t make it!! After 4 years I felt comfortable with my Sony D-SLR a33. How to replace a beloved camera? 

I am sure someone can figure out what is wrong and repair said camera.

Oh No! No Sony repair shops in Idaho. There are repair shops in New York City, but not in Idaho!! There’s Sony but financially unapproachable. There’s always new cameras...

... But mine had tilting LCD screen, panorama setting, telephoto lens... can I get these capabilities in one camera again?

After a few moments of grief I searched the internet and the thought of having fun with the latest gadgets, got me excited–I grinned to myself. Then the prices flashed on my computer screen! 

Are these amounts for real? Yes! And on sale!

Prices have skyrocketed in the last 4 years. D-SLR’s can do everything under the blue sky, even take photos. As an artist with no real income to speak of, a camera above $500 is overwhelming, but often match the capabilities I would enjoy. What route to take? What confusion! There are hundreds of models from different brands out there for beginners, intermediate and expert photographers. Will let the last choice go! With a particular budget and certain needs, (not wants, needs), the twine shall never meet.

Why can’t artists have access to free tryouts like photographers or other people in the know. WE ARE IN THE KNOW; and it would be fantastic to try out new equipment. If any of you have an idea on how to achieve free try-outs, please share. Any comments on a brand of camera you love would also be appreciated and make my decision easier or not!

Here I am, no camera in hand and a new published book to document entitled “Conversation” for an up-coming exhibition. Argggh!

I am glad I took lots of photos at the end of December. Here's another snowy shot in Avimor, our little community wild and free.

© 2015 Louise Levergneux, December in Avimor, Idaho

© 2015 Louise Levergneux, December in Avimor, Idaho


3D printing as been an interest of mine for several years now. The little robot in this video is Spazzi™ imitating me in a confused frenzy over my camera situation. Spazzi™ has plastic parts that were printed on a MakerBot. Check him out at: http://beatbots.net/80750/713698/projects/spazzi

Last year, I designed a flip book on the theme of EXTRACTION to enhance the idea I felt that both binding and slipcase should be translucent. Since I couldn’t find any translucent board or binding cloth, I designed it for 3D printing. The cost was too high to complete the project. How can one sell a flip book for over $700?

On the up-side, after our move I found an organization with 3D printers. My new book entitled “Finding Home” includes a 3D part. Now, I am able to design and create my idea as I saw it in my minds eye. Hurray!

How? you say, Idaho does not have any connection to Sony but has unBound—a place to make, learn and design your creative ideas! This is the key phrase on their introductory webpage. unBound offers help and access to 3D printing, a design lab, a print center, a sound studio and a business nook. With the moneys I will spend on a D-SLR, having access to unBound is a Godsend. Anyone in the area of Boise or Meridian should investigate unBound.

3D printing has been around for years and it has infiltrated the art world. A slipcase for the limited edition of Chang-rae Lee's novel On Such a Full Sea was printed on a MakerBot Replicator 2 Desktop 3D Printer. You can listen to Helen Yentus, the art director of Riverhead Books, talking on designing the 3D printed slipcase.


Tom Burtonwood an artist and educator based in the Chicago area, creates artists’ books using a 3D printer. You can find more information on Tom's books on his site. Orihon is the first entirely 3D printed book of textures and reliefs of architectural patterning and decoration.

© 2014, Tom Burtonwood,  "Orihon"

© 2014, Tom Burtonwood,  "Orihon"

Tom Burtonwood and Tim Samuelson in a humorous way talking on their collaboration of Twenty Something Sullivan at Pecha Kucha at Chicago Architecture Biennial in October 2015.

© 2015, Tom Burtonwood and Tim Samuelson, detail of "Twenty Something Sullivan"

© 2015, Tom Burtonwood and Tim Samuelson, detail of "Twenty Something Sullivan"

© 2014, Tom Burtonwood, "Folium"

© 2014, Tom Burtonwood, "Folium"

© 2014, Tom Burtonwood, "Folium"

© 2014, Tom Burtonwood, "Folium"


Bill Westheimer uses the phrase book sculptures to describe his work. Bill’s book entitled Silver Sunbeam incorporates some 19th century style wet-plate photograms on the cover of the box and the book. The contents of the book is a USB flash drive with a scan of the original 1864 Silver Sunbeam book which taught the world how to make wet-plate photographs. Check it out! It is worth the time to browse Bill’s awesome work. Here are some tantalizing photos of Silver Sunbeam.

© 2015, Bill Westheimer, Silver Sunbeam

© 2015, Bill Westheimer, Silver Sunbeam

© 2015, Bill Westheimer, Silver Sunbeam

© 2015, Bill Westheimer, Silver Sunbeam

© 2015, Bill Westheimer, Silver Sunbeam

© 2015, Bill Westheimer, Silver Sunbeam

Fantastic work guys!

unBound, a subsidiary of the Meridian Library was a great find, I’m stoked! Need to get back to my ideas and learn Tinkercad.